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Frans Hals Boy with a Lute c. 1625(1625)
Medium oil on canvas
Dimensions 72.1 X 59.1 cm (28.4 X 23.3 in)
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Frans Hals Meeting of the officers of the Kloveniersschutterij in Haarlem. 1633(1633)
Oil on canvas
Dimensions 207 X 337 cm
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Frans Hals St Matthew. c. 1625(1625)
Medium oil on canvas
Dimensions Height: 70 cm (27.6 in). Width: 55 cm (21.7 in).
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Frans Hals Feyna van Steenkiste Wife of Lucas de Clercq 1635
Medium oil on canvas
Dimensions 123 X 93 cm (48.4 X 36.6 in)
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Frans Hals Portrait of a Man. 1622(1622)
Medium oil on canvas mounted on panel
Dimensions 107 X 85 cm (42.1 X 33.5 in)
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Frans Hals Portrait of a Man. c. 1650-1652
Medium oil on canvas
Dimensions 108 X 79.5 cm (42.5 X 31.3 in)
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Frans Hals Portrait of a woman c. 1650-1652
Medium oil on canvas
Dimensions 102.6 X 88.9 cm (40.4 X 35 in)
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Frans Hals Portrait of a woman 1638
Medium oil on canvas
Dimensions 66.5 X 52.3 cm (26.2 X 20.6 in)
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Frans Hals Portrait of Isabella Coymans circa 1650-1652
Medium oil on canvas
Dimensions 116 X 86 cm (45.7 X 33.9 in)
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Frans Hals Portrait of a Man. c. 1634(1634)
Medium oil on panel
Dimensions 24.7 X 19.5 cm (9.7 X 7.7 in)
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Frans Hals Portrait of an unknown woman 1643
Medium oil on canvas
Dimensions 122.4 X 97.5 cm (48.2 X 38.4 in)
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Frans Hals Portrait of a Man 1634
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Frans Hals Singender Knabe mit Flote 1623-1625
Medium oil on canvas
Dimensions 68.8 x 55.2 cm
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Frans Hals Peeckelhaering between 1628(1628) and 1630(1630)
Medium oil on canvas
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Frans Hals Johannes de Evangelist schrijvend circa 1625-1628
Medium oil on canvas
Dimensions 70 X 55 cm (27.6 X 21.7 in)
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Frans Hals Portrait of a Man circa 1660(1660)
Medium oil on panel
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Frans Hals Portrait of a Man between 1650(1650) and 1653(1653)
Medium oil on canvas
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Frans Hals Portrait of a Man circa 1635(1635)
Medium oil on oak
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Frans Hals Portrait of a Man circa 1627(1627)
Medium oil on copper
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Frans Hals Lachende man met kruik between 1628(1628) and 1630(1630)
Medium oil on canvas
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Frans Hals
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1580-1666
Frans Hals Galleries
In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.
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